Staff profile
Affiliation |
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Assistant Professor in the School of Modern Languages and Cultures |
Biography
Prior to joining Durham in 2019, I completed two BA degrees (English and Lettres Modernes) at Paris 3 Sorbonne Nouvelle and an MA in French and Comparative Literature (Sorbonne Nouvelle/Kent), as well as a PhD in French Studies (Kent) in 2018. I was also a pensionnaire at the Ecole normale supérieure and taught French language and culture at various universities including the University of Kent, the University of London Institute in Paris and the University of Limerick in Ireland.
Teaching and Scholarship
At MLAC, I primarily teach French language modules at undergraduate level. I convene the first-year module French Language 1 and co-convene our newly established ab initio French programme. Creativity is at the centre of my teaching and scholarship. I believe the study of language is a point of entry in the culture, which is why I’m committed to a blended approach to language and culture teaching. Since 2021, I have been part of a project on creative writing in the French language classroom with CFLS colleagues Géraldine Crahay, Anna Johnston and Cynthia Tavars. We co-organised a series of creative writing workshops and seminars aimed at teachers and students. We also run a yearly creative writing contest open to undergraduate students in French in the UK.
I am also chairing a working group investigating the teaching and assessment of gender-inclusive language to ensure linguistic and cultural inclusivity in our curriculum. This initiative benefits students by fostering an understanding of diverse identities and promoting equitable communication practices, essential for global citizenship and intercultural competence. The group focuses on areas such as the evolution of gender-neutral pronouns across languages, strategies for integrating inclusive language in grammar instruction, and methods for assessing students' ability to use such language authentically.
My research on women writing also informs my teaching and I look at the notion of désenchantement in Marie Darrieussecq’s Truismes in a series of lectures for the second-year module Modern and Disenchantment in 19th and 20th century French Literature and Culture.
Another dimension of my ongoing scholarship is the study of the use of AI in language learning. I am part of a research team investigating the potential implications of Generative AI on learning, teaching and assessment in the Modern Foreign Languages (MFL) context within MLaC. This project directly informs my teaching in our core language modules as well as in our specialised MA in Translation studies.
Research
I primarily research the work of contemporary French women writers and filmmakers. I’m keenly interested in New Extreme cinema or cinéma du corps, the exploration of sensory experiences in text and film and haptic aesthetics. My monograph, Figures de l'excès chez Marie Darrieussecq, Virginie Despentes et Marina de Van : Ecrire et filmer le corps-frontière (Brill, Faux Titre series, 2023), focuses on extreme representations of the body in contemporary texts and films by women. In the book, I think about excess and the body through and beyond the representation of sex and violence, which allows to question corporeal boundaries as well as the intersections between text and film.
I am also interested in the intersection of literature, and more broadly the humanities, with other fields. I co-guest edited a special issue on the various ways in which Marie Darrieussecq’s oeuvre engages with sciences, which appeared in Dalhousie French Studies in 2020. As part of my most recent research project, I examine abortion narratives from a transdisciplinary perspective. As part of this work, I co-edited a special issue with Caroline Verdier on "Abortion in Contemporary Francophone Women's Writing" (L'Esprit Créateur, Fall 2024). I'm editing another special issue on the topic, L’avortement dans la littérature et le cinéma français contemporains, which will appear in Modern & Contempory France in 2025.
In September 2021, I co-organised a conference on “Feminism(s) in the Age of Covid-19 and Beyond” in collaboration with Mylène Branco at the University of Luxembourg, which reflected on the diversity and the creativity of feminist expression and activism during the pandemic. Following the conference, a special issue will be published in the Journal of Gender Studies (2025, issue 3), for which I interviewed, with my co-editor, the author Juliet Jacques.
I co-convene the research group Living Texts with Prof Catherine Dousteyssier-Khoze. The group seeks to explore the life of texts in all its significant aspects, from creation to reception. As part of the Living Texts seminar series, we notably welcomed Belgian writer Caroline Lamarche in June 2022, as well as translator Katherine Gregor and Héloïse Press founder Aina Marti for the publication the English translation of Lamarche’s The Memory of the Air; French writer Marie Darrieussecq in collaboration with Collected Books in October 2023; French writer Michaël Ferrier in March 2024 and Swiss writer Sarah Jolien-Fardel in November 2024.
Teaching and Academic Roles
Teaching and module convening
- FREN1011 French Language 1A (Teaching and module convenorship)
- FREN1012 French Language 1B (Teaching and module convenorship)
- FREN2051 French Language 2A (Teaching)
- FREN2011 French Langauge 2B (Teaching and module convenorship)
- FREN2011 Modernity and Disenchantment: 19th and 20th Century French Literature and Culture (Teaching)
- FREN3041 French Language 4 (Teaching)
- MELA41830 Specialised Translation Fr-Eng (Teaching and module convenorship)
Other academic and administrative roles
- Final year dissertation supervisor
- Language Provision Committee Co-Chair
- French Year Abroad Co-Officer
- Co-convenor of the Living Texts research group
Research interests
- Contemporary French/francophone literature and film
- Creative writing
- Embodiment, gender and sexuality
- Feminist activism and theory
- Gender and power in French language and culture
- Translation studies
Esteem Indicators
- 2024: WIF Australia International Liaison Officer and Communication Co-Officer:
- 2024: Reviews Editor for Modern & Contemporary France:
- 2024: Cartographier l'écriture créative :
- 2024: Global Engagement Grant (co-recipient):
- 2023: Seed Meetings Fund co-recipient (Higher Education, Research and Innovation Department of the French Embassy in London):
- 2023: WIF Australia Secretary and Communication Co-Officer:
- 2022: AUPHF+ Membership Secretary:
- 2022: Higher Education, Research and Innovation Department Fund for the co-organisation of a study on creative writing in the French classroom:
- 2022: Member of the UCML Special Interest Group for Early Career Academics in Modern Languages:
- 2022: Exploring Bodily Boundaries in Contemporary French Women’s Writing and Filmmaking, ASMCF-SSFH Postgraduate Study Day, keynote address.:
- 2021: UCML Small Grant:
- 2015: Kent Union Teaching Award category 'Best Teacher':
Publications
Authored book
Chapter in book
Conference Paper
- Carlini Versini, D. (2021, December). "Genre et Refuge dans Tropique de la violence et La Mer à l’envers". Presented at Women in French UK-Ireland Biennial Conference, Maynooth University
- Carlini Versini, D. (2022, December). Développer les liens entre formation, recherche et création littéraire. Vers la Conférence nationale sur l’écriture créative à l’Université de Durham le 9 septembre 2022 (invited talk). Paper presented at Multilinguisme, interdisciplinarité, écriture créative : quelles initiatives pour dynamiser les études françaises au Royaume-Uni, French Embassy
- Carlini Versini, D. (2023, December). Discovering Pleasure and the Boundless Body in Marie Darrieussecq’s Clèves (2011) (invited talk). Presented at So Hot! Feeling the Heat in Contemporary Women’s Writing, Centre for Contemporary Women's Writing, ILCS
- dans Cher Connard (2022) de Virginie Despentes. Presented at Women in French UK-Ireland Biennial Conference 2023, University of Leeds
- Practices in French and Italian Language Classroom. Presented at Where Are We Now? The Location of Modern Languages and Cultures 19-21 April 2023, Durham University
- Carlini Versini, D., & Li, S. (2022, December). Applying for a permanent lectureship. Paper presented at AUPHF+ Applying for a PhD and Navigating the Job Market in French Studies
- Carlini Versini, D. (2022, December). "Reading Marie Darrieussecq’s Clèves with Vanessa Springora’s Le Consentement", Politics of Vulnerability in Contemporary Women’s Writing and Creative Practices conference, IMLR
- Carlini Versini, D. (2022, December). "Exploring Bodily Boundaries in Contemporary French Women’s Writing and Filmmaking", ASMCF-SSFH Postgraduate Study Day, keynote address
- Carlini Versini, D. (2022, December). "Ecrire le corps de la jeune fille dans Clèves (2011) de Marie Darrieussecq", WIF USA 2022 Annual Conference, Iowa State University. Presented at Women in French
- Carlini Versini, D. (2021, December). “Reclaiming Agency in Vanessa Springora’s Le Consentement (2019)”, Narratives of Selfhood and Ambivalence Symposium, IMLR
- Carlini Versini, D. (2021, December). "Le corps-frontière : une lecture du fécal dans Rétention de Marina de Van", Merde! Excremental Poetics, Politics and Practices in French and Francophone Literatures and Visual Cultures, Texas Tech University
Journal Article
- Carlini Versini, D., & Branco, M. (online). "I became very interested in writing and creativity as ways of connecting with people”: an Interview with Juliet Jacques. Journal of Gender Studies, https://doi.org/10.1080/09589236.2024.2337844
- Carlini Versini, D. (online). Avortement et sororité chez Diwan, Haroun et Sciamma. Modern and Contemporary France, 1-15. https://doi.org/10.1080/09639489.2024.2363315
- Carlini Versini, D. (2024). Glissement générique et ambivalence dans Le consentement (2020) de Vanessa Springora. Francosphères, 13(2), 97-114. https://doi.org/10.3828/franc.2024.8
- Carlini Versini, D., & Verdier, C. (2024). L’Avortement chez les autrices d’expression française. Esprit Créateur, 64(3), 1-8. https://doi.org/10.1353/esp.2024.a941892
- Carlini Versini, D. (2024). Alice Diop, un cinéma de l’hospitalité?. Crossways, 5(1),
- Suarez, M. F., Versini, D. C., Glaze, O., Lynch, J., Gómez, M. R., & Strigel, S. (2023). Early Career Researchers (A Dialogue). Modern Languages Open, 2023(1), https://doi.org/10.3828/mlo.v0i0.494
- Carlini Versini, D. (2023). Réinventer le toucher dans La Démangeaison de Laurence Nobécourt. Nottingham French Studies, 62(1), 90-101. https://doi.org/10.3366/nfs.2023.0370
- Carlini Versini, D. (2022). Corps precaire, corps spectral: Vernon Subutex de Virginie Despentes. French Studies, 76(2),
- Carlini Versini, D., & Fréville, C. (2020). Ecrire "par tous les moyens": Marie Darrieussecq et les sciences. Dalhousie French studies, 115, 125-132
- Carlini Versini, D. (2020). Translating Woolf: Marie Darrieussecq’s Un lieu à soi. Esprit Créateur, 60(3), 34-45. https://doi.org/10.1353/esp.2020.0031
- Carlini Versini, D. (2020). 'Mais degage'! Touch and Genderered Power Dynamics in Virginie Despentes's Novels
- Barnet, M.-C., Brunau-Zaragoza, S., Carlini Versini, D., Henry-Tierney, P., Kemp, S., Kim, A., McCannon, O., & Stojanovic, S. (2020). “Bringing Up Baby”: Fragments de lecture plurielle, pour une nouvelle mosaïque. Esprit Créateur, 60(3), 121-132. https://doi.org/10.1353/esp.2020.0038
- Carlini-Versini, D. (2020). Poétique de la science chez Marie Darrieussecq. Dalhousie French studies, 115, 3-10
- Carlini Versini, D. (2019). Excès et métamorphoses de la peau dans Truismes de Marie Darrieussecq. Women in French studies, 27(1), 170-186. https://doi.org/10.1353/wfs.2019.0028
Other (Print)