Staff profile

Dr Caroline Curwen is a Leverhulme Early Career Fellow at Durham University researching "Musical Evoked Imaginings in Synaesthetic and Non-Synaesthetic Expert Musicians." Caroline studied clarinet and academic studies at the Royal Northern College of Music and holds a doctorate from the University of Sheffield. Caroline has published extensively on synaesthesia related to music, with a focus on embodied and enactive music cognition and sensorimotor theory. Her previous research explores how the shapes and colours experienced by some individuals when listening to music may be conceptual rather than purely perceptual. She argues that music-colour synaesthesia can be understood as a sensorimotor phenomenon within the framework of embodied and enactive accounts of music cognition.  Caroline serves as a consulting editor for Musicae Scientiae and is the Treasurer of the European Society for the Cognitive Sciences of Music (ESCOM). Additionally, Caroline is a Chartered Accountant. 

 

Journal Article

• Curwen, C. (in press). The role of synaesthesia in reading written musical key signatures. Journal of Experimental Psychology: General, 151(10), 2284-2299. https://doi.org/10.1037/xge0001193
• Curwen, C., Timmers, R., & Schiavio, A. (2024). Action, emotion, and music-colour synaesthesia: an examination of sensorimotor and emotional responses in synaesthetes and non-synaesthetes. Psychological Research, 88(2), 348-362. https://doi.org/10.1007/s00426-023-01856-2
• Curwen, C. (2022). Music-Colour Synaesthesia: A Sensorimotor Account. Musicae Scientiae, 26(2), 388-407. https://doi.org/10.1177/1029864920956295
• Curwen, C. (2018). Music-colour synaesthesia: Concept, context and qualia. Consciousness and Cognition, 61, 94-106. https://doi.org/10.1016/j.concog.2018.04.005