Staff profile

Imre Lahdelma is a post-doctoral researcher. He obtained his PhD degree in musicology from the University of Jyväskylä, Finland, in 2017. Imre’s doctoral work examined the perception of single chords (i.e., chords without a musical or tonal context) in terms of conveyed emotions and their psychoacoustic qualities. During his doctoral work he did research visits to the UK (Durham University) and the US where he held a Fulbright pre-doctoral fellowship at the University of Washington, collaborating with the UW Laboratory for Music Cognition, Culture & Learning. 

Imre’s current research focuses on the perception of consonance and dissonance from a cross-cultural perspective. His research is situated in the multidisciplinary field of music psychology and draws from methods of experimental psychology, psychoacoustics, and ethnomusicology. Imre’s current research aims to cast light on the questions of how and to what extent culture affects the way we perceive consonance and dissonance. 

For further information on Imre’s research publications, go to ResearchGate.

Doctoral Thesis

• At the interface between sensation and emotion: Perceived qualities of single chords. Jyväskylä Studies in Humanities (313). University of Jyväskylä.
  
  Lahdelma, I. (2017). At the interface between sensation and emotion: Perceived qualities of single chords. Jyväskylä Studies in Humanities (313). University of Jyväskylä [Thesis]. Awarding Organisation: Unknown.

Journal Article

• Participant and Musical Diversity in Music Psychology Research
  
  Jakubowski, K., Ahmad, N., Armitage, J., Barrett, L., Edwards, A., Galbo, E., Gómez-Cañón, J. S., Graves, T. A., Jadzgevičiūtė A., Kirts, C., Lahdelma, I., Lennie, T. M., Ramatally, A., Schlichting, J. L., Steliou, C., Vishwanath, K., & Eerola, T. (2025). Participant and Musical Diversity in Music Psychology Research. Music & Science, 8, 1-17. https://doi.org/10.1177/20592043251317180
• Valenced Priming with Acquired Affective Concepts in Music: Automatic Reactions to Common Tonal Chords
  
  Lahdelma, I., & Eerola, T. (2024). Valenced Priming with Acquired Affective Concepts in Music: Automatic Reactions to Common Tonal Chords. Music Perception: An Interdisciplinary Journal, 41(3), 161-175. https://doi.org/10.1525/mp.2024.41.3.161
• Culture influences conscious appraisal of, but not automatic aversion to, acoustically rough musical intervals
  
  Armitage, J., Lahdelma, I., Eerola, T., & Ambrazevičius, R. (2023). Culture influences conscious appraisal of, but not automatic aversion to, acoustically rough musical intervals. PLOS ONE, 18(12), Article e0294645. https://doi.org/10.1371/journal.pone.0294645
• Data-driven theory formulation or theory-driven data interpretation?
  
  Lahdelma, I., & Eerola, T. (2023). Data-driven theory formulation or theory-driven data interpretation?. Physics of Life Reviews, 45, 56-59. https://doi.org/10.1016/j.plrev.2023.04.005
• Register Impacts Perceptual Consonance through Roughness and Sharpness
  
  Eerola, T., & Lahdelma, I. (2022). Register Impacts Perceptual Consonance through Roughness and Sharpness. Psychonomic Bulletin and Review, 29(3), 800-808. https://doi.org/10.3758/s13423-021-02033-5
• Affective priming with musical chords is influenced by pitch numerosity
  
  Lahdelma, I., Armitage, J., & Eerola, T. (2022). Affective priming with musical chords is influenced by pitch numerosity. Musicae Scientiae, 26(1), 208-217. https://doi.org/10.1177/1029864920911127
• Is Harmonicity a Misnomer for Cultural Familiarity in Consonance Preferences?
  
  Lahdelma, I., Eerola, T., & Armitage, J. (2022). Is Harmonicity a Misnomer for Cultural Familiarity in Consonance Preferences?. Frontiers in Psychology, 13, Article 802385. https://doi.org/10.3389/fpsyg.2022.802385
• Sweetness is in the ear of the beholder: chord preference across United Kingdom and Pakistani listeners
  
  Lahdelma, I., Athanasopoulos, G., & Eerola, T. (2021). Sweetness is in the ear of the beholder: chord preference across United Kingdom and Pakistani listeners. Annals of the New York Academy of Sciences, 1502(1), 72-84. https://doi.org/10.1111/nyas.14655
• Automatic responses to musical intervals: Contrasts in acoustic roughness predict affective priming in Western listeners
  
  Armitage, J., Lahdelma, I., & Eerola, T. (2021). Automatic responses to musical intervals: Contrasts in acoustic roughness predict affective priming in Western listeners. The Journal of the Acoustical Society of America, 150(1), Article 551. https://doi.org/10.1121/10.0005623
• The Anatomy of Consonance/Dissonance: Evaluating Acoustic and Cultural Predictors Across Multiple Datasets with Chords
  
  Eerola, T., & Lahdelma, I. (2021). The Anatomy of Consonance/Dissonance: Evaluating Acoustic and Cultural Predictors Across Multiple Datasets with Chords. Music & Science, 4. https://doi.org/10.1177/20592043211030471
• Harmonic organisation conveys both universal and culture-specific cues for emotional expression in music
  
  Athanasopoulos, G., Eerola, T., Lahdelma, I., & Kaliakatsos-Papakostas, M. (2021). Harmonic organisation conveys both universal and culture-specific cues for emotional expression in music. PLoS ONE, 16(1), Article e0244964. https://doi.org/10.1371/journal.pone.0244964
• Cultural familiarity and musical expertise impact the pleasantness of consonance/dissonance but not its perceived tension
  
  Lahdelma, I., & Eerola, T. (2020). Cultural familiarity and musical expertise impact the pleasantness of consonance/dissonance but not its perceived tension. Scientific Reports, 10, Article 8693. https://doi.org/10.1038/s41598-020-65615-8
• Mild dissonance preferred over consonance in single chord perception
  
  Lahdelma, I., & Eerola, T. (2016). Mild dissonance preferred over consonance in single chord perception. I-Perception, 7(3), Article 2041669516655812. https://doi.org/10.1177/2041669516655812
• Single chords convey distinct emotional qualities to both naïve and expert listeners
  
  Lahdelma, I., & Eerola, T. (2016). Single chords convey distinct emotional qualities to both naïve and expert listeners. Psychology of Music, 44(1), 37-54. https://doi.org/10.1177/0305735614552006
• Theoretical proposals on how vertical harmony may convey nostalgia and longing in music.
  
  Lahdelma, I., & Eerola, T. (2015). Theoretical proposals on how vertical harmony may convey nostalgia and longing in music. Empirical Musicology Review, 10((3), 245-263.