Staff profile

• Blake and poetry of the Romantic period
• Elizabethan drama (Marlowe and Shakespeare)
• modernism, especially Joyce and T.S. Eliot

Authored book

• Shakespeare and the Romantics
  
  Fuller, D. (2021). Shakespeare and the Romantics. Oxford University Press.
• The Life in the Sonnets.
  
  Fuller, D. (2011). The Life in the Sonnets. Continuum.
• William Blake: Selected Poetry and Prose
  
  Fuller, D. (2000). William Blake: Selected Poetry and Prose. Longman-Pearson.
• Tamburlaine the Great, Parts 1 and 2, in vol. 5 of The Complete Works of Christopher Marlowe
  
  Fuller, D. (1998). Tamburlaine the Great, Parts 1 and 2, in vol. 5 of The Complete Works of Christopher Marlowe. Clarendon Press.
• Signs of Grace: Sacraments in Poetry and Prose
  
  Fuller, D., & Brown, D. (1995). Signs of Grace: Sacraments in Poetry and Prose. Cassell.
• James Joyce's 'Ulysses'
  
  Fuller, D. (1992). James Joyce’s ’Ulysses’. Harvester.
• Blake's Heroic Argument
  
  Fuller, D. (1988). Blake’s Heroic Argument. Croom Helm.

Chapter in book

• Eloquence and Oracle’: Tobacco in Eighteenth-Century Life and Literature
  
  Russell, A. (2021). Eloquence and Oracle’: Tobacco in Eighteenth-Century Life and Literature. In D. Fuller, C. Saunders, & J. Macnaughton (Eds.), The Life of Breath in Literature, Culture and Medicine: Classical to Contemporary (pp. 261-281). Palgrave Macmillan.
• The Sonnet
  
  Fuller, D. (2021). The Sonnet. In D. Malcolm & W. Gortschacher (Eds.), A Companion to Contemporary British and Irish Poetry, 1960-2015.. Wiley.
• The Music of Narrative Poetry: Spenser, Shakespeare, Milton
  
  Fuller, D. (2020). The Music of Narrative Poetry: Spenser, Shakespeare, Milton. In D. da Sousa Correa (Ed.), The Edinburgh Companion to Literature and Music (pp. 173-182). Edinburgh University Press.
• Chaucer, Spenser, and Shakespeare
  
  Fuller, D. (2019). Chaucer, Spenser, and Shakespeare. In S. Haggerty (Ed.), William Blake in Context (pp. 173-183). Cambridge University Press. https://doi.org/10.1017/9781316534946.020
• Rescuing Shakespeare: King Lear and Its Textual Contexts
  
  Fuller, D. (2018). Rescuing Shakespeare: King Lear and Its Textual Contexts. In C. Caruso (Ed.), The Life of Texts: Evidence in Textual Production, Transmission, and Reception (pp. 154-175). Bloomsbury.
• Sin, Death, and Love: Britten's Holy Sonnets of John Donne
  
  Fuller, D. (2018). Sin, Death, and Love: Britten’s Holy Sonnets of John Donne. In K. Kennedy (Ed.), Literary Britten: Words and Music in Benjamin Britten’s Vocal Works.. Boydell and Brewer.
• Communities in the Theatre and the World: Three Ballets and a Masque
  
  Fuller, D. (2018). Communities in the Theatre and the World: Three Ballets and a Masque. In P. Edmondson & E. Fernie (Eds.), New Places: Shakespeare and Civic Creativity. (pp. 65-82). Bloomsbury.
• Shakespeare and Dance
  
  Fuller, D. (2016). Shakespeare and Dance. In P. Holbrook & P. Edmondson (Eds.), Shakespeare’s Creative Legacies: Artists, Writers, Performers, Readers (pp. 61-77). Bloomsbury.
• A Kind of Loving: Hans Castorp as Model Critic
  
  Fuller, D. (2015). A Kind of Loving: Hans Castorp as Model Critic. In T. Doering & E. Fernie (Eds.), Thomas Mann and Shakespeare: Something Rich and Strange (pp. 207-228). Bloomsbury.
• 'There is no method ...'? Contact and Conflict in Interdisciplinary Studies
  
  Fuller, D. (2015). ’There is no method ...’? Contact and Conflict in Interdisciplinary Studies. In S. Coelsch-Foisner & H. Schendl (Eds.), Contact and Conflict in English Studies (pp. 133-150). Peter Lang.
• "A sensibility for the infinite": Metaphor, Symbol, Form, and the Sublime
  
  Fuller, D. (2012). "A sensibility for the infinite": Metaphor, Symbol, Form, and the Sublime. In R. C. MacSwain & T. Worley (Eds.), Theology, Aesthetics and Culture (pp. 213-225). Oxford University Press.
• Discovering Transgression: Reading from the Passions
  
  Fuller, D. (2012). Discovering Transgression: Reading from the Passions. In W. McKenzie & T. Papadopolou (Eds.), Shakespeare and I (pp. 61-77). Continuum.
• Music
  
  Fuller, D. (2011). Music. In J. Harding (Ed.), T. S. Eliot in Context (pp. 134-44). Cambridge University Press.
• Lyrics, Sacred and Secular
  
  Fuller, D. (2010). Lyrics, Sacred and Secular. In C. Saunders (Ed.), A Companion to Medieval Poetry (pp. 258-76). Wiley.
• The Erotic and the Sacred Body in Opera: The Venusberg to Monsalvat - and Beyond
  
  Fuller, D. (2009). The Erotic and the Sacred Body in Opera: The Venusberg to Monsalvat - and Beyond. In C. Saunders, U. Maude, & J. Macnaughton (Eds.), The Body and the Arts (pp. 254-69). Palgrave Macmillan.
• T. S. Eliot
  
  Fuller, D. (2009). T. S. Eliot. In R. Lemon, E. Mason, J. Roberts, & C. Rowland (Eds.), The Blackwell Companion to the Bible in English Literature (pp. 667-80). Wiley.
• Les illustrations de Blake pour 'La Divine Comedie'
  
  Fuller, D. (2009). Les illustrations de Blake pour ’La Divine Comedie’. In M. Phillips (Ed.), William Blake: Le Genie visionnaire du romantisme anglais (pp. 181-87,245-46). Paris musees.
• Reading Chaucer Aloud
  
  Fuller, D. (2006). Reading Chaucer Aloud. In C. Saunders (Ed.), A Concise Companion to Chaucer. Blackwell.
• William Empson: from Verbal Analysis to Cultural Criticism
  
  Fuller, D. (2006). William Empson: from Verbal Analysis to Cultural Criticism. In P. Waugh (Ed.), Modern Literary Theory and Criticism: an Oxford Guide. Oxford University Press.
• ‘“Mad as a refuge from unbelief”: Blake and the Sanity of Dissidence.’
  
  Fuller, D. (2005). ‘“Mad as a refuge from unbelief”: Blake and the Sanity of Dissidence.’. In C. Saunders & J. Macnaughton (Eds.), Madness and creativity in literature and culture. (pp. 121-143). Palgrave Macmillan.
• Passion and Politics: Antony and Cleopatra in Performance
  
  Fuller, D. (2005). Passion and Politics: Antony and Cleopatra in Performance. In S. M. Deats (Ed.), Antony and Cleopatra : new critical essays. (pp. 111-135). Routledge.
• ‘Shakespeare’s Romances.’
  
  Fuller, D. (2004). ‘Shakespeare’s Romances.’. In C. Saunders (Ed.), A companion to romance : from classical to contemporary. (pp. 160-176). Blackwell.
• ‘Tamburlaine the Great in Performance.’
  
  Fuller, D. (2002). ‘Tamburlaine the Great in Performance.’. In S. M. Deats & R. A. Logan (Eds.), Marlowe’s Empery : expanding his critical contexts. (pp. 61-81). University of Delaware Press ; Associated University Presses.
• Keats and Anti-Romantic Ideology
  
  Fuller, D. (2000). Keats and Anti-Romantic Ideology. In A. Christensen (Ed.), The Challenge of Keats: Bicentenary Essays, 1795-1995. Rodopi.
• William Blake
  
  Fuller, D. (1998). William Blake. In M. O’Neill (Ed.), Literature of the Romantic Period: A Bibliogrqaphical Guide. Oxford UP.
• The World, the Flesh and the Spirit: Love as Sacramental in Spenser and Other Poets
  
  Fuller, D. (1996). The World, the Flesh and the Spirit: Love as Sacramental in Spenser and Other Poets. In D. Brown & A. Loades (Eds.), Christ, the Sacramental Word. SPCK.

Edited book

• The Life of Breath in Literature, Culture and Medicine: Classical to Contemporary
  
  Fuller, D., Saunders, C., & Macnaughton, J. (Eds.). (2021). The Life of Breath in Literature, Culture and Medicine: Classical to Contemporary (1st ed.). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-74443-4
• The Recovery of Beauty: Arts, Culture, Medicine
  
  Saunders, C., Macnaughton, J., & Fuller, D. (Eds.). (2015). The Recovery of Beauty: Arts, Culture, Medicine. Palgrave Macmillan. https://doi.org/10.1057/9781137426741
• Pearl. A modernized version by Victor Watts.
  
  Fuller, D., & Saunders, C. (Eds.). (2005). Pearl. A modernized version by Victor Watts. Enitharmon.
• The Arts and Sciences of Criticism
  
  Fuller, D., & Waugh, P. (Eds.). (1999). The Arts and Sciences of Criticism. Oxford UP.

Journal Article

• Dementia at the Opera: 'The Lion's Face'
  
  Fuller, D. (2011). Dementia at the Opera: ’The Lion’s Face’. Opera Quarterly, 27(4), 509-521. https://doi.org/10.1093/oq/kbs032
• Love or Politics: The Man or the King? Edward II in Modern Performance
  
  Fuller, D. (2009). Love or Politics: The Man or the King? Edward II in Modern Performance. Shakespeare Bulletin, 27(1), 81-115. https://doi.org/10.1353/shb.0.0062
• “The Human Form Divine”: Blake and the Body
  
  Fuller, D. (2007). “The Human Form Divine”: Blake and the Body. Essays in Romanticism, 31, 53-73.
• The Bogdanov Version: The English Shakespeare Company Wars of the Roses
  
  Fuller, D. (2005). The Bogdanov Version: The English Shakespeare Company Wars of the Roses. Literature/Film/Quarterly, 33, 114-37.
• Blake and Dante
  
  Fuller, D. (1988). Blake and Dante. Art History, 11(3), 349-73. https://doi.org/10.1111/j.1467-8365.1988.tb00309.x

Other (Digital/Visual Media)

• Modernizing Blake's Text: Syntax, Rhythm, Rhetoric.
  
  Fuller, D. (2010, September). Modernizing Blake’s Text: Syntax, Rhythm, Rhetoric.